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I absolutely love this painting by Henry Payer Jr., a student graduating from AIAI in Santa Fe. The painting is in the senior show at the Institute of American Indian Arts Museum. I like the use of the "noble savage" stereotyped pose but without romanticizing the subject. The body and background are flattened, while the face is sculptural. In his artist statement he talks about the importance of color in the religion of the Hochunk (a.k.a. Winnebago) tribe, and symbolism. I have since seen some of his other work and it's impressive.I'll try and post some here if I can get permission from the artist.
This diminutive sculpture by Charles Simonds is hidden in the corner of the courtyard at the New Mexico Museum of Art in Santa Fe. Conservators are not allowed to go near it, and it is gathering dust and cobwebs until one day it will decay. (I'm guessing the museum is counting on this event happening to their investment later rather than sooner.
The museum shows work by artists who worked or work in New Mexico, the most well known being Georgia O'Keefe and Marsden Hartley.
A current exhibition "How the West is One" (until April 20, 2010) shows the union, rather than the splintering, of the three main cultural influences in the state: hispanic, american indian, and anglo.

Southern New Mexico is becoming a haven for working artists who don't mind living the simple life (and occasionally being viewed as satanists). The town of Carrizozo boasts a few galleries, studios, and some un-controversial public art. This was my favorite of the bunch. Click on the photo to see the detail better.
I went to see a group exhibition of new art at the Austin Museum of Art in Texas. The show represented the work of twenty local (or semi-local?) artists, and this is a brief glance at my three favorites.
Sarah Sudhoff '
s "Repository" series of photographs documents her diagnosis and treatment of cervical cancer.
Yoon Cho 's 3 minute performance video "Hair" shows the artist and her husband getting the same haircut, exploring the process of assimilation.
Jules Buck Jones 's deliciously surfaced alligator drawings, positively prehistoric in scale, play with classical drawing, and semi-abstract pattern making.
An excellent show, and I'm always happy to see art I might not get to otherwise.
20 to Watch at the Austin Museum of Art (until May 11, 2008)
I've seen many photos of this famous beer can house in Houston, Texas but nothing really prepared me both the ordinariness of the neighborhood (suburb-ish) and also the sound. Those streamers hanging from the eaves are actually the bottoms of beer cans strung together, and they rattle and jingle in the breeze. Everything is made of beer cans, including the roof but with the exception of the driveway which is concrete with embedded marbles. Houston wasn't exactly my type of place but seeing this house was worth the drive through. Click on the photo to see more details - like the ladder going to heaven.
I'm often asked if I like living in Florida. So, here's one reason I like Florida: this is where we keep our trash.